Ceramic 2021 winter

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This winter I experimented the stencil technique, always with engobes and the engraving technique called Mishima. Here is the series of pieces created on the lathe and cooked with double firing (biscuit with engobes and transparent crystalline). clay is strong white earthenware.

Pezzi in lavorazione, durezza cuoio e osso:

Pezzi dopo la prima cottura:

Pezzi finiti in seconda cottura con cristallina trasparente:

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Graduated frame to draw a perspective

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